Books
Baldwin, J Notes of a Native Son. London, 1964
Beauvoir, S. de The Prime of Life, London. 1965
Borras, M L Picabia, London. 1985
Cocteau, J Cock and Harlequin, London. 1921
Cowart, J et al Henri Matisse: Paper Cut-Outs, New York. 1977
Cunard, N Negro -An Anthology. London, 1970 Reprint (1934)
Fried, M Three American Painters: Noland, Olitski, Stella. New York, 1965
Gibbons, T Rooms in the Darwin Hotel. Western Australia, 1973
Glimcher, M (ed) Jean Debuffet. Towards and Alternative Reality. New York, 1987
Goldwater, R Primitivism in Modern Art. New York, 1967
Graves, R The White Goddess. London, 1961
Grosz, G A Little Yes and A Big No. New York, 1946
Hodier, A Jazz. Its Evolution and Essence. New York, 1956
Holtzman, H (ed) The New Art – The New Life. Collected Writings of Piet Mondrian. London, 1987
Howell, G In Vogue. London, 1975
Huxley, A Antic Hay. London, 1923
Johnson Sweeney, J ‘Stuart Davis’ (1945) Three American Modernist Painters. New York, 1965
Jung, C Man and His Symbols. London, 1964
Lee Goldberg, R Performance Art. From Futurism to the Present. London, 1979
MacGregor, C Pop Goes The Culture. London, 1984
Milhaud, D Notes Without Music. London, 1967
Mathey, F Chagall – The Little Library of Art. London, 1960
Read, H Concise History of Modern Painting, 1959
Rubin, W (ed) Primitivism in Twentieth Century Modern Art. New York, 1984
Russel, J The World of Matisse. Amsterdam, 1969
Seuphor, M Abstract Painting: Fifty Years from Kandinsky to the Present. New York, 1962
Sitwell, O Great Morning. London, 1948
Stearns, M The Story of Jazz. New York, 1956
Willet, J The New Sobriety: Art and Politics in the Weimar Period 1917-33, 1978

Articles
Berman, A ‘Romare Bearden: I paint out of the tradition of the blues’. Art News. Vol. 55. December, 1980
Berman, G ‘Walls of Harlem’. Arts Magazine. Vol. 52. October, 1977
Chanan, M ‘Henry Pleasants and All That Jazz’. Art International. Vol. 14. March, 1970
Fair, C M ‘Three Minute Art’. Arts Digest. Vol. 29. April, 1955
Hadler, M ‘Jazz and the Visual Arts’. Arts Magazine. Vol. 57. June, 1983
Kagan, A ‘Improvisations: Notes on Jackson Pollock and the Black Contribution to American High Culture’. Arts Magazine. Vol. 53. March, 1979
Kozloff, M ‘The Futurist Campaign – Art can only be violence, cruelty, injustice’. Art Forum. Vol. 10. January, 1972
Mandeles, C ‘Jackson Pollock and Jazz: Structural Parallels’. Arts Magazine. Vol. 56. Oct, 1981
Reff, T ‘Picasso’s Three Musicians. Maskers, Artists and Friends’. Art in America. Vol. 10. December, 1980
Reff, T ‘Harlequins, Saltimbanques, Clowns and Fools’. Art Forum. Vol. 10. October, 1971
Sacks, L ‘Fernand Leger and the Ballets Suedois’. Apollo. Vol. XCI. June, 1970
Tarbell, R ‘Seymore Lipton’s Carvings: A New Anthropology for Sculpture’. Arts Magazine. Vol. 54. October, 1978
Welsh, R ‘Landscape into Music. Mondrian’s New York Period’. Arts Magazine. Vol. 40. February, 1966
Zilczer, J ‘Synaesthesia and Popular Culture. Arthur Dove, George Gershwin and the Rhapsody in Blue.’ Art Journal. Vol. 44. Winter, 1984
‘Kootz Gallery. Abstract Artists Pay Homage to Jazz’. Art Digest. Vol. 21. December, 1946
‘The Jazzy Formalism of Stuart Davis’. Art News. Vol. 53. March, 1954